1995-2011: Department of International Economics and Business, Xiamen University

2011-today: English Department, Xiamen University

2009-2010: English Department, Duke University, U. S. A.

2016-2017: English Department, UC Berkeley, U. S. A.

1992-1995: Xiamen University, M. A.

2001-2007: Xiamen University, Ph. D

Monographs:

1. Identity-Building in Toni Morrison’s Trilogy: Beloved, Jazz, and Paradise, (Xiamen University Press, 2010).

2. New Historicism and American Minority Fiction, (Shanghai Foreign Language Education Press, 2013). (Co-authored with Yang Renjing et al.)

3. On American Postmodernist Fiction, (Qingdao Publishing House, 2003). (Co-authored with Yang Renjing et al.)

Academic Papers:

1. “On the Artistry of Toni Morrison’s Beloved,” Contemporary Foreign Literature, No.4, 2002.

2. “On the Intertextual Rememory in Toni Morrison’s Beloved,” Journal of Huazhong Normal University (Humanities and Social Sciences), December 2002.

3. “A ‘Talk-Story’ that Breaks Silence: An Analysis of Maxine Hong Kingston’s ‘No Name Woman’,” The Northern Forum, December 2002.

4. “The Definition and Development of Asian American Literature,” Journal of Northwest Normal University (Social Sciences), No. 4, 2003.

5.“Asian American Literature as a Discourse with Changing Discourse Strategies,” Journal of Sichuan University (Social Science Edition), No. 5, 2003.

6. “The Fusion of Visual Effect and Verbal Experience: A Reading of William Carlos Williams ‘The Red Wheelbarrow,’ ‘The Dance,’ and ‘Poem’,” Appreciation of Famous Literary Works, No. 6, 2003.

7. “A Woman’s Frustration in the Gender-Divided World: An Analysis of Steinbeck’s ‘The Chrysanthemums’,” Appreciation of Famous Literary Works, No. 6, 2004.

Works of Translation from English to Chinese:

1.        Rainbow ( by D. H. Lawrence), Changjiang Art Press, 2002. (With Cai Chunlu)

2.  Masks of Difference: Cultural Representations in Literature, Anthropology and Art, (by David Richards), Liaoning Publishing House, 2003. (With Ruyi et al)

2013.11-2016.11: Cultural Emplacement and Identity Building in Contemporary African American and Asian American Women’s  Literature

(Fundamental Research Funds for the Central Universities)